Apr 22, 2015 | Fixing the Pathological Body

The medical industry leans heavily upon a distinction between the "normal" and the "pathological." How and why do we continue to define this distinction, and for whom are these categories useful?  What are some alternative ways to organize the lived experiences of human bodies and/or minds?

A Panel Discussion with Janette Dinishak (Assistant Professor of Philosophy at UCSC) Kelly Ormond (Professor of Genetics and Genetic Counselor at Stanford University) Matthew Wolf-Meyer (Associate Professor of Anthropology at UCSC and author of The Sleeping Masses).Organized by Science & Justice Training Program Fellows Sandra Harvey (Politics), Linda Dayem (Philosophy) and Jessica Neasbitt (History of Consciousness). Co-Sponsored by UCSC Departments of History of Consciousness, Literature, and Philosophy, as well as the Institute for Humanities Research.

Janette Dinishak is an Assistant Professor of Philosophy at the University of California, Santa Cruz. Her research interests include philosophy and history of psychology and psychiatry (especially autism), Wittgenstein, philosophy of mind, disability, and ethical theory.

Kelly Ormond is a Professor of Genetics at the Stanford School of Medicine. While Ormond's primary role is to direct the MS in Human Genetics and Genetic Counseling program, her research focuses on the intersection between genetics and ethics, particularly around the translation of new genetic technologies (such as genome sequencing or non-invasive prenatal diagnosis) into clinical practice. She is especially interested in patient decision making, informed consent, and the interface between genetics and disability.

Matthew Wolf-Meyer is an Associate Professor of Anthropology at the University of California, Santa Cruz. He received his Ph.D. from the Department of Anthropology at the University of Minnesota, specializing in medical anthropology, the social study of science and technology, and neuroscience. He is author of The Slumbering Masses: Sleep, Medicine and Modern American Life (UMN Press, 2012), which focuses on sleep in American culture and its historical and contemporary relations to capitalism. His second book, What Matters: The Politics of American Brains, focuses on the ethical and epistemological practices in contemporary neuroscience, cybernetics, disability activism, and psychoanalysis in American society. Currently he is in the early stage of a new project focused on the neurological turn to the gut as an extension of the nervous system, the history of shit in the United States, and the therapeutic uses of human excrement in modern medicine.

April 22, 2015

"Fixing the Pathological Body"
SJWG Rapporteur Report
22 April 2015
Rapporteur Report by Jess Neasbitt
This event was organized to begin what we hoped would be ongoing discussions that addressed
themes and questions like the following: "The medical industry leans heavily upon a distinction
between the "normal" and the "pathological." How and why do we continue to define this
distinction, and for whom are these categories useful? What are some alternative ways to
organize the lived experiences of human bodies and/or minds?" We invited Drs. Dinishak and
Wolf-Meyer and Professor Ormond to introduce their research and engage in a panel discussion
regarding these questions, as well as those asked by the audience.

After a brief introduction of the panelists and the overall event theme by Jessica Neasbitt, Dr.
Dinishak spoke about her interest in issues surrounding “deficit attribution.” She forwarded this
model as a specific form of pathologizing difference, and encouraged the audience to consider
what (or whose) standard is being used to assess the lack, or absence of a feature that a person
“should have,” that is a hallmark of “deficit attribution.” Dr. Dinishak is interested in calling the
moral complacency surrounding this decision into question, as well as bringing the narratives of
the pathologized into the conversation. This led to a brief overview of her research regarding the
narratives of autists, which involves qualitative interviews, and speaks to her stated commitment
to finding responsible approaches to engage in such research in ways that acknowledge subjects
as “not just objects to study.” Instead, Dr. Dinishak encouraged the audience to consider what the
narratives of autists can teach us about the lived experience of those labeled autistic, the cultural
representation of these individuals, and what their (autists) concerns might be.

Following Dr. Dinishak, Professor Ormond discussed how disability is talked about in genetic
counseling. Building off of Dr. Dinishak’s talk, she mentioned the challenge of mixing lived
experiences of people with disabilities with discussions of risk assessment during counseling
sessions. She is interested in starting conversations that focus more on the former than on the
medical aspects of potential conditions a fetus may develop in order to move past parental fear
and into a space of more expansive possibility. Professor Ormond stated that, at the present time,
potential parents most commonly focus on the medical aspects of potential disorders/disabilities
over the lived experiences of those diagnosed with them, and this often leads them to constrain
their choices to either abortion or bringing the baby to term and keeping it (versus adoption and
other possible options).

Dr. Wolf-Meyer also discussed social fixes in contrast to medicalization, and gave examples
from his para-ethnographic work. Most of his examples involved the tendency to medicate rather
than seek social fixes, which often require the rethinking—and perhaps radical changing—of
powerful institutions. The influence of capitalism was a recurrent theme, not only during Dr.
Wolf-Meyer’s presentation, but throughout the panel discussion and the question and answer
period; however, the “normalization” required of subjects in capitalist societies was integral to
several key aspects of Dr. Wolf-Meyer’s talk. Among these were: the increase of medical and
pharmaceutical interventions to make individual bodies “fit” into existing social systems and the
dramatic decrease of any social “safety net” (public assistance for persons with disabilities).
The individual, and the individualization of responsibility, were recurrent themes throughout the
event—especially in relation to the influence of capitalism on the practice of medicine in the
United States. Many attendees questioned panelists on whether or not their proposed
interventions into these practices and/or institutions were realistic, given the tenacious hold of
capitalism and its current rigid practices. While there were some small-scale examples of
successful interventions given (communal living, alternative clinics that evaluate social fixes as
well as medical ones), this was the extent of the discussion, and—given more time—this would
be a fascinating avenue to continue exploring.

Another topic in which the concept of the individual loomed large was the genome. There were
several audience comments and questions regarding the power of the genome and the ease with
which risk scores that describe possible futures transition into labels that dictate identities. This
tied in with the parental fear that Professor Ormond had discussed earlier, and the question was
asked: Is fear a necessary part of medical care? Professor Ormond reiterated that this was one of
the limitations of genetic counseling, that there is no “gene for” (it is not as clear cut as that), and
that this is one of the reasons why she believes that discussions with genetic counselors might be
better framed in terms of “abnormal-normal, risk-chance.”

Most of the remainder of audience questions and comments can be divided into two categories:
those focused on the role of the history of eugenics and race in regard to processes of
pathologization, and those focused on the terminology used by the panelists. The history of
eugenics was mentioned by one panelist—Professor Ormond credited it as contributing to how
genetic counseling happens today. However, there were several excellent questions that brought
up the possibility that genetic counseling may be contributing to current eugenicist practices,
especially in relation to abortion of fetuses that are at increased risk for particular pathologized
conditions. While there was some further discussion of the relation of race, eugenics, and
pathologization, we were again limited by the format and time constraints of the event; however,
we all agree that this is an area of rich possibility for further events to explore.

Audience questions regarding the terminology used by the panelists were extensive, and also
limited by available time. Overall, these questions focused on the terms used to describe those
persons being pathologized, and why these specific words were chosen. Questions about the use
of the following terms were recorded: difference vs. deficiency, disorderly vs. disabled, disorder
vs. condition, atypical vs. abnormal, variance vs. diversity, and risk vs. chance vs. diagnosis. The
length and breadth of this list suggest yet another subject that could feasibly support its own
panel discussion; at the very least, it should be addressed in any future events planned as an
outgrowth of our event.

Our initial vision for this event was to begin a conversation regarding what work pathologization
does, and for whom. Overall, we agree that this panel was a good start to what we envisioned as
an ongoing dialogue, and we—along with our critical listeners, Jeff Sherman and Jen Trinh—
have many ideas as to aspects of our theme that future events might explore. These include
narratives and counter-narratives of pathologization, the role of institutions in pathologization
(and how this might be addressed), late capitalism and pathologization (especially regarding the
concept of “productive” bodies and the commercialization of pathology), disability activism, and
the history of pathologization—particularly in regards to race and eugenics. All of these topics
came up in one form or another during our event, and we all agree that the format of the event
severely limited our ability to allow the in-depth examination of any one of these rich lines of
questioning. However, these are topics that we think merit exploration and would make for
future events that would both continue the discussion that began during our event and interest a
wide variety of individuals and groups on campus and in the surrounding community.

As to the possible forms the continuation of this discussion might take, there are several that we
would like to forward. First (and most ambitious), we would like to suggest that, given the easy
division of our overall theme into the sub-topics mentioned above, a conference (or other multipanel
event) on this theme would be both one way to continue this discussion and have many of
the people who should be represented “at the table.” Regardless of the format of the event, we all
agree that future speakers must include disability rights activists, community members, and
narratives of pathologization that originate from the pathologized themselves. Suggestions for
future speakers included Mia Mingus and Leah Lakshmi Piepzna-Samarasinha; we also
acknowledge that more outreach and collaboration with the disability studies community on
campus should have been part of our process, and would highly benefit any future events that
stem from our event.

Other suggestions for keeping the discussion going dovetail nicely with the stated desire of the
Science and Justice Research Center for achieving more of an online presence. These include a
series of blogs (some of which would be guest authored), a series of podcasts and/or an interview
series, and a moderated online forum on the topic. The growing number of scholars working on
related themes on this campus, the presence of a healthy activist community (both on campus
and in the community), and the upcoming History of Consciousness concentration of
“Differences Now” all point to there being a good deal of interest in—and potential for joint
sponsorship of—a variety of events that could further the discussion that began during “Fixing
the Pathological Body” in new and innovative ways, and we look forward to seeing where this
discussion goes next.

In closing, Jessica, Linda and Sandra would like to thank our generous co-sponsors, without
which this event would not have been possible: the departments of History of Consciousness,
Literature, and Philosophy, the Institute for Humanities Research, and the Science and Justice
Research Center. We would also like to thank our critical listeners (Jeff Sherman and Jen Trinh)
for their time and extremely helpful feedback. To our panelists, Dr. Janette Dinishak, Professor
Kelly Ormond, and Dr. Matthew Wolf-Meyer, we wish to extend our sincere gratitude for your
participation and inspiring discussion, which we envision as the beginning of a much needed
exploration of the work, histories, and purposes of pathologization.

Attendance
There were approximately 26 attendees, the majority of whom hailed from the social sciences.
The remainder of the attendees were from the sciences and the community.

March 05, 2015 | The H+ Film Festival: Cyborg Fictions and Futures

 

Organized by Science & Justice Training Program Fellows Jeff Sherman (Politics) and Jen Trinh (Physics), together with the Crown Social Fiction Conference, the Science & Justice Research Center presents:

Thursday, March 5th: 8:00 pm Ghost in the Shell | UCSC Merrill Cultural Center

Friday, March 6th:
Midnight screening of Robocop (1987) | Del Mar Theatre, Santa Cruz, Reception and Introduction by Ed Neumeier

Saturday, March 7th:
10:00 am: Registration & breakfast
10:30 am: Transcendent Man | Crown/Merrill Dining Hall
12 Noon: H+ Panel Discussion
1:00 pm: Lunch & Student Poster Session

What kind of future are we moving towards with advances in robotics, prosthetics, artificial intelligence, and body augmentation? The idea of transhumanism (H+) suggests that the future is bright, with extended human lifetimes coupled with higher quality of life. However, in popular science fiction, the future is often not so bright. Will humans eventually transcend their bodies and become higher beings, or will technology reduce humans into mere machines? What is the outlook for "humanity," how does our popular culture shape our visions of that future, and what ethical questions should we consider today rather than in a transhuman tomorrow?

This film festival (part of the Crown Social Fiction Conference) seeks to create an opportunity for conversations with screenings of the science fiction classics RoboCop (1987) and Ghost in the Shell (1995), as well as the documentary Transcendent Man (2009). Following Transcendent Man, we will have a guided discussion, featuring panelists Ed Neumeier (cowriter of the original RoboCop and UCSC alumnus), Dr. Vivienne Ming (theoretical neuroscientist, entrepreneur, and visiting scholar at UC Berkeley), and UCSC's Dr. Chris Gray (lecturer at Crown College and author of the book Cyborg Citizen). They will explore these questions and examine the relationship between the fictions that awe us and the realities that face us.

Ed Neumeier is a screenwriter, producer, and director, who studied Journalism at UCSC before going on to complete his bachelor’s at UCLA at the School of Motion Picture & Television. Ed is best known for his work on the Robocop and Starship Troopers franchises.

Dr. Vivienne Ming is a theoretical neuroscientist, entrepreneur, and visiting scholar at UC Berkeley’s Redwood Center for Theoretical Neuroscience. Her research focuses on developing models for the neurobiological processes involved in cognition, perception, learning, and motor function.

Dr. Chris Gray is a lecturer at UCSC’s Crown College, as well as the author of Cyborg Citizen and Peace, War and Computers, two books that explore the political implications of our increasing dependence on electronics. Dr. Gray’s research interests include postmodern politics, information theory, the implications (political, artistic, and ethical) of cyborgs, and more.

 

The H+ Film Festival: An Exploration of Cyborg Futures and Fictions
SJWG Rapporteur Report
5-7 March 2015
Rapporteur Report by Jeff Sherman and Jen Trinh
In conjunction with the Crown College Social Fiction Conference, this film festival hoped to
explore the near futures that face us with the growing technologies of robotics, prosthetics,
artificial intelligence, and body augmentation through the lens of popular science fiction. This
was done through the exploration of the popular motif of the Cyborg cop in science fiction. On
Thursday March 5th we screened the Japanese Anime classic Ghost in the Shell. On Friday
March 6th we screened the original RoboCop at the Del Mar Theatre in downtown Santa Cruz
with a short introduction by Ed Neumeier, one of the cowriters of the film. On Saturday March
7th we screened the documentary Transcendent Man concerning the technologist and futurist Ray
Kurzweil. Our panelists, Ed Neumeier, Dr. Vivienne Ming and Dr. Chris Gray initially took up
the efficacy of Ray Kurzweil’s ideas as they were presented in the documentary that preceded
our discussion. This generated quite the number of critiques of the exceedingly optimistic view
that we will realize immortality within our lifetimes through these technologies. It also spurred
conversations about the ethics that will invariably complicate the development and
implementation of such technologies.

In responding to the ideas of Kurzweil, Dr. Ming suggested that the techno-utopianism of his
visions was somewhat misplaced, given that not all of these technologies are readily viable along
the timeline he suggests and if they were that their implementation would not necessarily be
automatically benign. All three panelists noted that Kurzweil’s quest was deeply informed by an
obsession with defeating death (his own and his father’s) to the point of possible neurosis. While
Ed and Vivienne agreed that they do not wish to die, and that their fears of death may play some
role in their hopes for the future of technology, they expressed doubt that such technologies will
be developed so quickly. Chris, on the other hand, noted later in the conversation that he
celebrates death as the “vaccine against hubris” and accepts his fate.

Following discussion of the documentary, the panelists conversed about the ethics that will
invariably complicate the development and implementation of such technologies, despite hopes
for a techno-utopia. Ed shared thoughts on how the film industry creates what the viewer wants
to see and hear about (the miracles of future technologies), rather than the issues surrounding
these technologies, such as the monopoly of the companies that control these new tools, the
possibility of misuse by individuals (rather than the machines being inherently at fault), and the
actual feasibility of these advancements. Chris expressed skepticism about how humanity could
possibly create a techno-utopia, given the dire state of affairs within our government, where
corporations are afforded the same rights as people, and intelligence (of the IQ sort) is advanced
while emotional intelligence is neglected.

We concur with our critical listeners, Linda Dayem and Jessica Neasbitt, that as the conversation
continued through the hour, the dynamic that developed among our panelist was one of a
tempered technological optimism on the part of Dr. Ming and Mr. Neumeier with the opposite
view of technological pessimism reflected by our third panelist, Dr. Gray. We could somewhat
anticipate this chemistry from our initial discussions with our guest speakers. However, this split
was more pronounced at the public panel and this may be attributed to the particular audience
addressed for the Social Fiction Conference (undergraduate audience poised as the next
generation of technological innovators) and the provocations suggested by our documentary on
Mr. Kurzweil. Where our panelists’ views generally coincided were on: 1) the limitations of AI
in the near to midterm 2) the greater probability of body and neurological augmentation in the
near future 3) the false distinction between “science fiction” and what is touted as “science fact”
given the creativity and imagination evident in today’s leading industries.

With our project, we hoped to explore the possible futures that face us given the predicted
trajectories of robotics, prosthetics, artificial intelligence, and body augmentation through the
lens of popular science fiction. We also hoped to reach as wide an audience as possible among
graduates, undergraduates and the UCSC community. In screening three different films (two
science fiction and one documentary) and convening a panel of experts to comment on this
subject, we believe we were successful in at least starting the conversation on these subjects.

Most importantly, Jen and Jeff would like to extend their heartfelt gratitude to the Crown College
staff (Jennifer Day, Derek DeMarco, Camila Dixon, Cathy Murphy, Shane Sanchez and
especially Provost Manel Camps). We also say thank you to our support at the Science & Justice
Research Center (Colleen Massengale and Acting Director Andrew Mathews) and our critical
listeners (Linda Dayem and Jessica Neasbitt). Above all we wish to thank once again our panelist
Chris Gray, Vivienne Ming and Ed Neumeier for their time participation and enthusiasm.
Without the support of all of these partners, the H+ Film Festival would have simply been
impossible. Thank you all.

Attendance
Overall we had the following attendance at our three events as part of the H+ Film Festival
14 people at the screening of Ghost in the Shell
30+ people at the midnight screening of RoboCop
40+ people at the screening of Transcendent Man and panel discussion

Nov 19, 2014 | Is Bamboo the Next Green Gold?

 "Is Bamboo the Next Green Gold? Balancing the Needs of Vernacular Builders, Non-human Forest Dwellers and Green Architects in the Age of Sustainability"

One of the fastest growing plants in the world; bamboo has emerged as a silver bullet for sustainable design and architecture. However, bamboo also has long been used in artisanal construction in Asia and South America, where it is part of important ecological and cultural systems. Its commercialization brings us back to a now familiar problem: How should we manage nature without damaging the systems that bring us these materials? Can bamboo satisfy all its lovers or – like sugarcane for ethanol – will it become the next green gold? Darrel DeBoerJennifer M. Jacobs and Rudolf von May will examine this significant problem, while focusing on tropical bamboo as an emerging case study.

Panel speakers

Darrel DeBoer is a leading figure for Architects for Social Responsibility and Green Building, who was named by Metropolitan Home magazine in 2001 as “one of the 100 most influential designers” and by Natural Home magazine 2005 one the 10 “Green Architects.” In thirty years of practice, he has used structural bamboo, straw bales, earthen & lime plasters, earthen floors and salvaged materials in an effort to find alternatives to toxic or scarce materials used more often today. Darrel has written and co-authored seven books on building with these materials, including Bamboo Building Essentials and The Art of Natural Building. In addition, he has taught sustainable building techniques through UC Berkeley Extension, the Academy of Art University, Merritt College, the County of Alameda and the City of San Francisco. See his work at: http://www.deboerarchitects.com/

Jennifer M. Jacobs is a biologist, who has studied bamboo forest biodiversity in Peru’s Amazonian region. Her latest research focused on beetle community ecology in bamboo forests. In collaboration with Rudolf von May, she co-authored the article titled: "Forest of Grass: Discovering Biodiversity in the Amazon's Bamboo Jungles" in the Journal of Natural History. Jacobs is also interested in teaching environmental education in K-12 schools.

Rudolf von May is a Postdoctoral Fellow at the Museum of Vertebrate Zoology, UC Berkeley, who grew up in the rain forest region of Central Peru and has studied frogs living in bamboo forests. For the last 15 years, in collaboration with other scientists, he has been tracking amphibian biodiversity in the Andes-Amazon region. This research has been featured in National Geographic and Los Angeles Times, among others (see video at: https://sites.google.com/site/rvonmay/).

Co-Sponsored by the Departments of Anthropology, Politics, and Sociology | Hosted by Luz Cordoba

November 19, 2014 | 4:00-6:00PM | Engineering 2, room 475

"Is Bamboo the Next Green Gold?: Balancing the Needs of Vernacular Builders, Non-human Forest Dwellers and Green Architects in the Age of Sustainability"
SJWG Rapporteur Report
19 November 2014
Rapporteur Report by Luz Cordoba
First, Jennifer M. Jacobs and Rudolf von May presented their research on Guadua
bamboo ecologies in the southwestern Amazon. Creating a “patchy” topography, Guadua
bamboo is a fast growing clonal plant that creates mono-dominant patches that span more than
300 square kilometers. Yet, in the southwestern Amazon, Guadua bamboo adds to the
heterogeneity of the rainforest by sheltering and interacting with a diversity of species.
Bamboo, Jacobs stated, experiences mass flowering and collective die-offs, even when
patches are non-contiguous. Luz Cordoba asked how are egregious flowering and collective dieoffs
temporally coordinated across these disconnected patches of bamboo? Jacobs responded that
some theories suggest that there is speciation among patches. Darrel DeBoer, our third presenter,
pointed out that the Guadua Jacobs referred to are smaller varieties. Larger varieties reproduce
mostly asexually because the seeds of the largest species of Guadua are not viable. He stated that
“if you go back far enough (to study these patches) you may find that an entire species is one
plant.” Most of these bamboos spread asexually through a rhizomatic root system, which give
rise to new bamboo culms. Through this underground system, one individual may spread and
“colonize” large and often non-contiguous territories, creating new patches. Despite its
separation from the mother plant, these patches are temporally synchronized, which results in a
species dominating different territories, but also disappearing at once.

Bamboo forests, Jacobs suggested, are largely understudied, particularly in the area of
genetics and ecology, but during the last twenty years, recent advancements in satellite
technology have allowed researchers to study large patches in the Amazon. Researchers
speculate that the spread of bamboo forests may have come from wild fires or native people’s
swidden agriculture. For instance, the study of mound formations in Argentina has shown that
pre-Columbian people worked with bamboo. Jacobs’ research on Enema Pan (rhinoceros beetle)
was inspired by these anthropological discoveries. In the Southwestern Amazon Jacobs and von
May found similar mounds in bamboo forests. Upon excavation of these large mounds, they
found E. Pan. E. Pan, working at the base of the Guadua bamboo, shreds open the culm,
exposing its sap and allowing other insects to feed off the sap. The male E. Pan forms the mound
when digging its burrow. The male beetle then guards the burrow at its entrance. Jacobs
speculates that they feed on Guadua and use these tunnels to raise their larvae.

Von May finished their talk with a survey of the different species that inhabit the inside
of bamboo. He explained how a weevil makes a hole in bamboo, which opens it to other species.
Surprisingly, amphibians are a large group of species that live, reproduce or find shelter in
Guadua. In particular, he called our attention to a particular poisonous frog that uses the inside of
Guadua as a breeding space. In southeastern Peru, this small frog, less than an inch in length,
takes advantage of the structure of Guadua by laying eggs on the walls of the bamboo after
mating inside of it. The nodes of the bamboo are usually filled with water. The male frog looks
for available pools free of predators while carrying hatched tadpoles on their back. Von May
pointed out that this phenomenon of amphibians using bamboo as a breeding ground is not
particular of Peru, but takes place wherever there are these types of bamboos. To date, scientists
have documented at least another five species of amphibians that use Guadua bamboo as shelter.
Like frogs, there are a number of vertebrates, such as birds, that use bamboo as shelter, retreat
and breeding grounds. Von May concluded by pointing out that it takes millions of years for
such species to develop such strong relationships with plants like bamboo, “making us wonder
what would happen if the bamboo habitat disappears?”

DeBoer spoke about the importance of thinking about land use in today’s environment.
He stated, “there are millions of people who would accept living in really high density places in
order to save other land for other things.” In order to do that, DeBoer asked, “What do we need
to be building?” He thinks that we should be constructing as densely as possible buildings that
are “at least 4 to 5 stories high, as densely as possible.” In order to build sustainably, DeBoer
thinks the goal is to get “people to live in 25 units per acre.” This translates to about 1,500 square
feet per unit. He points out that under the right conditions, “transit works without subsidies when
you have 25 units per acre.” Sustainably constructing these spaces will depend also on the
materials we use. DeBoer highlighted how concrete is responsible for 8% all our greenhouse
gases and 30% of our energy goes to building and another 30% goes into transportation, so
building densely will save all of that energy, he argued. Bamboo is a perfect material to build
dense cities because some of its species, particularly, Guadua angustifolia, have strong walls that
can sustain human structures.

In reference to Cordoba’s question of how do you take a natural material like Guadua,
and use it without industrializing it, DeBoer explained that people have found techniques to
transform it without capital/energy intensive processes. Andrew Mathews asked DeBoer whether
he foresees people building their high-density bamboo cities next to their bamboo forests?
DeBoer responded that one way to see this is that one must grow as much bamboo as the area to
be built with it. So, “if you want a house this big, you plant that much bamboo.” And he, pointed
out an example in Asia where people were directed to grow bamboo next to their lots in order to
build their own homes. DeBoer continued to explain that to build with soft wood, the current
paradigm, would take a few acres to build the same house, partly because of the nature of the
fiber of bamboo. Mathews asked whether there are “big industrial projects to build with Guadua,
and is there a fear of destroying these large bamboo forests?” Von May said that in Peru bamboo
is used in small-scale projects but in Brazil there are paper projects where large tracks of bamboo
forests are cleared. In these last cases bamboo is very profitable. However, von May highlighted
that it is very common that people think of bamboo “as a weedy plant, a grass” and they are more
concerned with clearing up land for agriculture because it is more profitable. Kristina Lyons
added that one of the things that has been left out of the conversation are the legal structures that
forests farmers must adhere to in order to make decisions about what plants to cut. She stated, “it
all depends of what Amazons you are talking about, because they are many Amazons. The
Amazons are many worlds.” In Colombia, which still follows a colonial system, farmers must
clear 3 quarters of the land in order to obtain legal title over the land. Farmers want to
incorporate forestry into their farms but they cannot because of this, and if the forest is not
farmed, the mining and oil companies are free to exploit it. She pointed out that these policies do
not protect the forest, but mostly protect the rights of multinational corporations to exploit it.
Lyons raised an important point that we must be mindful of the geopolitical, constitutional and
economic forces that force people into certain relationships with the forest.

Lastly, Karen Barad pointed out the constant use of the verb colonize in order to describe
the ecologies of bamboo. She suggested that, as insiders, scientists get really used to using
certain terminology. Barad asked the scientists what they have thought may be the implications
of using this term, “and what epistemological and methodological issues may arise from the use
of that terminology?” Rudolf responded that in ecology and biology there are few
generalizations. One, he said, is the Island Biogeography where organisms that arrive from the
main land are conceived as colonizers. Thus, in ecology is common to describe organisms that
arrive from another place as colonizers and the process described as one of colonization. Jenny
added that although she uses this terminology, rather than colonization, she sees it as movement
rather than colonization. Barad commented that while she understood that this word has a
genealogy within the sciences, it, nonetheless, carries an array of meanings and assumptions that
take place without thinking about it. She commented that colonization “…is a term about
insertion, rather than a welcoming or a kind of invitation.” Barad’s pointed out that, “the words
we use as scientists do all kinds of work for us and they carry entire models with them…(they)
may be a vehicle for background assumptions.” Andrew added that thinking about beetles
colonizing bamboo makes us think only of a one way relationship, but, he asked, “is the bamboo
getting anything out of it?” Parasitization, he pointed out, is often not a one-way process and
thinking of it in this way we may pay more attention to the return not just the arrival. Karen
finished the conversation by summarizing this discussion with an important question. She asked:
What is not being asked as the result of that or being pay attention to?

Jan 16, 2014 | Human / Non-Human Collaboration Across the Arts & Sciences

Justice in a More than Human World - Collaboration or exploitation? Working with living systems across the arts and sciences


Wednesday February 26, 2014

4:00-6:00PM
Digital Arts and New Media (DARC) Room 108

As artists and scientists explore non-human relationships and discover new ways to illustrate and inspire each other’s work, issues of collaboration, ethics, empathy and justice collide as these borders are crossed and new hybrid relationships emerge. This event will feature presentations of artwork and scientific research that cross pollinate each other, with a focus on human / nonhuman collaboration in the worlds of eco art, bio art, genetic engineering, molecular and marine biology.

Hosts: Gene A. Felice II & Sophia Magnone
Visiting Artist: Amy Youngs (http://hypernatural.com/)
Presenters: UCSC Emeritus Faculty Helen and Newton Harrison

Co-Sponsored by: Digital Arts & New Media, Open Lab and UCIRA

Thursday February 27, 2014
12:00-2:00PM
Digital Arts and New Media (DARC) Room 204

The Digital Arts Research Center at UCSC will not only host the lecture / forum but will also host an undergraduate and graduate student workshop with Amy Youngs. This workshop will focus on bioart themes and will range from an artist presentation to group and one-on-one project / critique time between the artist and participants.

Host: Gene A. Felice II
Visiting Artist: Amy Youngs

Friday February 28, 2014
4:00-6:00PM
Engineering 2 Room 599
"Bioengineering and Meat Cultures"

Meat grown in a laboratory is being promoted as a response to the harmful effects of “conventional” factory-farmed meat production. Artists and scholars have identified how meat cultures are a new class of being, with their own unique characteristics. Some of these characteristics are precisely what makes lab-grown meat appealing as a food source, and some provoke what is frequently deemed “the yuck factor.” Viewing this new class of beings, along with other bioengineered critters, as custom-built collaborators, we explore the ways humans relate to and intervene in the more-than-human world to feed, clothe, house, and entertain themselves--and the way we respond when these interventions, collaborations, and cultures turn sour.

Hosts: Andy Murray and Sophia Magnone
Visiting Scholar and Artist: Oron Catts (http://www.symbiotica.uwa.edu.au/)

Oron Catts is an artist, researcher and curator whose pioneering work with the Tissue Culture and Art Project which he established in 1996 in collaboration with Ionat Zurr, is considered a leading biological art project.  He is the founding director of SymbioticA, (which he co-founded in 2000) an artistic research centre housed within the School of Anatomy, Physiology and Human Biology, The University of Western Australia.

Under Catts’ leadership SymbioticA has gone on to win the Prix Ars Electronica Golden Nica in Hybrid Art (2007) the WA Premier Science Award (2008) and became a Centre for Excellence in 2008. In 2009 Catts was recognized by Thames & Hudson’s “60 Innovators Shaping our Creative Future” book in the category “Beyond Design”, and by Icon Magazine (UK) as one of the top 20 Designers, “making the future and transforming the way we work”. His work has been widely exhibited internationally in venues such as NY MoMA, Mori Art Museum, Tokyo and National Art Museum of China.

Catts was a Research Fellow in Harvard Medical School, a visiting Scholar at the Department of Art and Art History, Stanford University, a Visiting Professor of Design Interaction, Royal College of Arts, London, and a Visiting Professor at the School of Art, Design and Architecture, Aalto University, Helsinki where he was commissioned to set up Biofilia - Base for Biological Art and Design. Catts’ ideas and projects reach beyond the confines of art; his work is often cited as inspiration to diverse areas such as new materials, textiles, design, architecture, ethics, fiction, and food.

A UCSC campus news article on the event appears here.

Helen and Newton Harrison, Amy Youngs, "Human/Nonhuman Collaboration across the Arts and Sciences"
SJWG Rapporteur Report
26 February 2014
Rapporteur Report by Sophia Magnone
This event was framed as part of a series of events, “Justice in a More-Than-Human
World,” that aimed to explore various modes of humans working with nonhumans, and to
articulate the possibilities for collaboration, rather than exploitation, in these working
relationships. The series had four core questions:

1) When it comes to human-nonhuman partnerships, how could we distinguish between
collaboration and exploitation?
2) How does thinking of nonhumans as collaborators refigure ethics, empathy, and
justice in these relationships?
3) How is nonhuman life valued? What systems of value enable us to manipulate and
end nonhuman life?
4) How do we imagine nonhuman values?
For this particular event, a panel of eco- and bio-artists discussed examples of their work that
stage interaction between humans and nonhumans, as well as between the disciplines of art and
science.

Helen and Newton Harrison, Emeritus Faculty in the UCSC Art Department, presented
work from across their careers in which the artists enter into collaboration with living systems in
various ways: for instance, with crab populations in Sri Lankan lagoons (“The Lagoon Cycle”),
and with the ecosystem of the Tibetan Plateau (“Tibet is the High Ground”). They emphasized
the interdisciplinary nature of their eco-art work, which necessarily involves methods, techniques,
and theoretical frameworks of experimental science as well as of art. In their presentation, the
Harrisons modeled the collaborative nature of their own (working and personal) partnership,
which is based on ongoing negotiation and productive interruption.

Amy Youngs, Associate Professor of Art at Ohio State University, presented several
projects that involve messy, playful collaborations between humans, animals, plants, and
machines. She emphasized that “collaborations are not equal”: although her work is concerned
with taking animals’ worlds and interests seriously and making them visible for human viewers,
she does not pretend to create egalitarian situations for the animals in her work. She discussed
the institutional limits that are placed upon the artistic use of animals: an art project that involves
animal death is not considered institutionally acceptable. Her Farm Fountain, an indoor
ecosystem that grows edible and ornamental fish and plants through symbiosis, is thus conceived
as a private, do-it-yourself project (she provides instructions on her website); she discussed the
difficulty but the necessity of killing the fish, and also pleasure of cooking and eating the fish.
She also spoke of the particular interest that people take in her work involving live animals in
gallery spaces—for example, crickets (“The Museum for Insects”) and a rabbit (“River
Construct”). These exhibitions prompt viewers to focus on animals they might normally
overlook, and to be concerned about them as living beings.

In the Q&A session, multiple audience members responded with personal stories about
their own relationship to animals and to the practice of killing and eating animals. Jenny Reardon
asked, how do we bring the context of animal killing, and its ethical implications, into the
artwork itself? There was a sustained dialogue between audience members and speakers about
different narratives of (personal and industrial) animal killing: one can view animal killing as a
pragmatic necessity, a spiritual task, a way of accepting responsibility for the death one causes,
an unavoidable evil that should remain invisible, an avoidable evil that one can choose to reduce,
etc.

We also heard from several audience members about the particular relationships of care
and love they have entered into with animals, particularly rabbits. Jenny Reardon asked Amy
about her shift from rabbit breeding (which involves “culling”) as a child to her interspecies
artwork; for Amy, the link is that she loves to be around animals and wants to figure out how to
do that well and to engage public conversation on interspecies being. The Harrisons discussed
the ways that crabs manifested “personality” and “civil society” in their “Lagoon Cycle” project.

In response to Amy Youngs’ story of the institutional limits placed on her artwork,
Donna Haraway noted the bigger implications of the institutional distinction between science and
art, which have different status as knowledge-making practices. In the current system, science
has the authority to kill, while art does not—a gendered division of “serious” versus “unserious”
kinds of work. Collaboration with nonhumans might involve making die as well as making live,
as a challenge to the social authority of science and war as the only players allowed to make
decisions about animal life and death. Newton Harrison suggested that in his own art practice, he
has found that these institutional obstacles of social authority can indeed be overcome. Donna
Haraway also noted the differences in scale in the art practices being presented: the Harrisons
tend to work on a large, continental scale, while Amy Youngs tends to work on an intimate,
miniature scale; the two models present us with micro and macro worlds of the imagination.