The SJRC will host up to 4 Individual Study students to collaborate on research papers and proposals as well as Center events and programming for the academic year. Students can also work on senior thesis projects related to Center Themes (Genomics, Data Justice, Climate Justice) and/or assist SJRC Graduate Training Program Fellows in planning and organizing events. The Individual Study course, can range from 2-5 units, be independent or group and will include directed readings, guided independent and collaborative research and project planning.
Interested in the Intersections of Science and Justice?
Want to Develop Collaborative Research or Public Events?
Available Fall 2017
Telling the Story of Science & Justice: Individual Study with SJRC
SJRC regularly documents our events in written form, and writes digests of events for non-academic audiences. This student would assist documenting Science & Justice events, taking detailed notes during the events, recording brief interviews conducted with guests and participants, and producing creative short pieces that publicize the Center and demonstrate the importance of our mission. The student will develop a portfolio demonstrating their ability to produce short, engaging videos and web content that publicize and further an organization’s mission.
Please contact Kate Darling email@example.com by October 17th.
Find ways undergraduates can get involved in Science and Justice research. Apply no later than the Monday of Week 1 and email a writing sample to firstname.lastname@example.org.
The Society for Cultural Anthropology has awarded UCSC Assistant Professor and S&J Steering Committee member Kristina Lyons (Feminist Science Studies) the 2017 Cultural Horizons Prize for her article “Decomposition as Life Politics: Soils, Selva, and Small Farmers under the Gun of the U.S.–Colombia War on Drugs,” which appeared in Cultural Anthropology 31, no. 1 (2016): 56–81.
Stating, “This is not an ethnographic enterprise in which the objects of inquiry are slotted into narrow disciplinary agendas, but rather an exercise in accounting for and responding to when the material suggests, even demands, theoretical jumps.”
Find more information on Lyons’ community call to action to bring relief aid for Mocoa following the devastating natural disasters earlier this year.
Receiving honorable mention was UCSC Professor Anna Tsing (Anthropology) along with UCSC graduate student Isabelle Carbonell (Film & Digital Media), Joelle Chevrier (Land Dyke Feminist Family Farm) and Yen-Ling Tsai (National Chiao Tung University) for their article “Golden Snail Opera: The More-than-Human Performance of Friendly Farming on Taiwan’s Lanyang Plain,” which appeared in Cultural Anthropology 31, no. 4 (2016): 520–44.
Find the full award announcement at 2017 Cultural Horizons Prize.
Expressions of interest by: September 29, 2017
Deadline for submissions: October 2, 2017
Workshop: October 18, 2017 (1:00 -4:00PM, DARC Light Lab)
Organization: UCSC Science and Justice Research Center
In their writings since the later 1970s we can trace both the influence of a web of feminist SFs, including speculative fiction, science fiction and speculative fabulation, and their own crafting of SF. They are both authors of feminist SF; most explicitly with Starhawk’s The Fifth Sacred Thing (1993) and its sequel City of Refuge (2015) and Haraway’s “The Camille Stories” (2016) but also implicitly in their work on movement-building and figuration. They use SF not to conjure purified alternatives or forms of escape, but to remain embedded in and accountable to the world. The workshop will focus on this mode of SF and their insistence on accounting for compromised and difficult relationality, shared responsibility and non-innocence.
Their work emerges from and reiterates the collective call to action issued by intersecting social movements. They focus on hope and possibility without downplaying the scale of the various crises we face, including climate change, mass extinctions, and the concentration of wealth and power in the hands of a few. They locate their work explicitly in both the local and the global, and draw on deep experiential knowledge of their chosen dwelling-places as well as research on, and dialogues with, dwellers from elsewhere. In drawing inspiration from these structural links across their use of SF, the workshop aims to provide a platform for thinking about our collective responsibility to reshape our modes of being if we are to hold open the possibility of flourishing to future generations of humans and more-than-humans.
For this workshop, we invite feminist, queer, antiracist, and decolonial STS scholars and activists working on environmental and racial justice to experiment with the possibilities of speculative and visionary storytelling. All participants will submit a short piece of work (by October 2nd) which will be circulated to other workshop participants for reading ahead of the workshop. If you’ve never done creative writing before, do not worry! We are looking for messy and promising provocations, not polished manuscripts. Please reserve your place by emailing email@example.com and firstname.lastname@example.org by 09/29/17.
You are asked to submit 900 words of speculative fiction[ii] (by 10/02/17) about a place that is particularly meaningful to you. You might conjure up its future, produce a speculative and disruptive history or trace the contours of an alternate present. Who and what have (had) attachments to that place, and how are those attachments bound up in larger networks of interrelationship? Do those attachments open up ways of imagining flourishing cohabitation (however you conceive of that), or do those attachments need to be disconnected and / or reconnected to create spaces of possibility?
[i] Imaginactivism is a compound word coined (Haran 2015) to denote the entangled relationship of imagination and activism. One of key questions rasised by the Imaginactivism research project is: how are interpretive / activist communities or networks formed, inspired and / or restored or reinvigorated by fictional cultural production? This workshop is one attempt to explore this question collectively.
[ii] If you work with graphic fiction or other speculative genres and are interested in participating in the workshop, please contact email@example.com to express your interest and to suggest alternative materials to submit.